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。2375。棉花糖。 《前一篇 回他的日記本 後一篇》 ↖錨↗
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篇名: 。聲光療癒。 Nonotak。
作者: 日期: 2013.05.19  天氣:  心情:





































還記得我日記“離開我自己”這篇的底圖嗎?

看完上個 Nonotak mv ,

也看看以下池田亮司 ,

RYOJI IKEDA : THE TRANSFINITE ,

雖然9分多長建議一看喔。





































下文/Nonotak 官網

The idea of "ISOTOPES" is to generate a dematerialised space. The catalyst of the project have been post Fukushima's atmosphere. This tragedy that collided within our memories and childhood has led us to think about the brittleness of reality. This point of no return reflects the brutality of this evolving world that surrounds us, replacing any individual's existence into fiction. "Isotopes" is an open space which can also be perceived as a prison. At first, the slow and hypnotizing moving lights attracts the visitor into the heart of it. Then, the rhythm and the intensity become continually more aggressive until it generates immaterial barriers: it's easy to get in but neigh impossible to get out. This echoes the way humans approach nuclear power. First seduced, then addicted by its comfortable energy, humans have become trapped in an unstable situation. The rhythm of the lights and the sounds bring back the connection between the Japanese and their awareness of radioactive omnipresence. Sometimes you can forget it, like the glow of a night light, but sometimes the conscience gains the upper hand, and fear comes back with loss of ground reference. Through the metamorphoses of its appearance, this installation leaves the visitor between what once existed and what didn't, drawing them into the spectrum of their own volatile emotions.


翻譯/墨墨&青蛙

“同位素”的概念是要製造一個科幻的空間,這件作品的靈感來自於福島核災之後的氛圍,這場悲劇碰觸到了我們童年的記憶,讓我們想起現實中人類的脆弱,這條不歸路反映出我們所身處的這個快速轉變的世界是多麼的殘酷,讓每個原本存在的個體都變成了幻影。 “同位素”看似一個開放的空間,但它同時也是一個牢籠;一開始,慢速移動且迷幻的燈光吸引了觀看者的注意力,接著節奏和強度逐漸地增加,直到形成了一道道虛幻的屏障,要進去容易,要出來卻幾乎不可能,這就好比人類之於核能,一開始被它所引誘,然後又沉迷於這得來容易的能源,人類就這樣陷入了一個危險的圈套。光線與聲音的律動讓人又聯想到日本人和他們與輻射的共存的體認,有時候你可以假裝忘了這回事,就當成看到小夜燈閃爍了一下,但也有良心發現的時候,這時無從化解的恐懼又會重上心頭。這件裝置藝術作品經由它變換形狀的表現手法,讓觀看者處於若有似無的幻境之中,並且體驗了自我情緒的起伏與激蕩。















































聲光療癒製程

































Nonotak 工作室

由 Noemi Schipfer & Takami Nakamoto

兩位藝術家成立於 2011 年

Nonotak(官網)

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時間:2013-05-19 14:58
她, 99歲,Western Australia,其他
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時間:2013-05-19 12:21
她, 58歲,高雄市,醫療
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作者回覆說[2013-05-24 17:12]:


震撼只是沒有遭遇到吧..
如果常遭遇..震撼度也就少了多..
人生也不就如此..偶爾 Shock 咩..



給我們一個讚!